Showing posts with label Lord Huron. Show all posts
Showing posts with label Lord Huron. Show all posts

Sunday, April 19, 2015

4/19/15



This new Lord Huron record is as lush and stunning as expected. What could've been a hipster flash-in-the-pan band is blossoming into a really full-fledged folk endeavor - one whose live performance, I can testify, is a powerful display of showmanship. Founder and frontman Ben Schneider is as talented and belt-worthy as the recordings make him sound, and he embraces the talents of his backing band, like with a clever decision to posit the drummer sideways, side stage, allowing the audience a vantage point rarely seen.

"Strange Trails" picks up where "Lonesome Dreams" left off, as elemental as its predecessor but a little more wild, a little more exploratory beyond the woods into pop-song structure influenced by folk leanings. I love the delays and echos, the constant percussive spine, and Schneider's cavalier-cowboy finesse. My favorite so far is opening track "Love Like Ghosts," a song I first heard through headphones drifting off to sleep. "La Belle Fleur Sauvage" is winning me over with its hushed blend of western twang and romantic gestures, "Cursed" is that perfect blend of sunny and lonely, and the end of "Yawning Grave" sounds like something that would tear down the house live. This album is a shade or two darker than the debut, lyrically speaking, but it's hardly depressing, more like sorrow moving through its expected motions of crawling back into hope in spite of loss, loneliness and mortality.

There's something very roots rock about Lord Huron that won't appeal to all indie listeners, especially those that have gone on to lighter/digitized fare from the dreadnought-focused groups, but I find this sound incredibly grounding. It's rather classic, too, with songs like "Way Out There" and "Frozen Pines" evoking The Eagles desert era. I love how unafraid to "go there" this band is, touching and toying with all the instruments and sounds they can find to create something rich. I love how easily I can turn on this record and tune out, how it sounds so vast and open and unashamed, much like all the landscapes it describes. I love how, just in the nick of the time when everything was starting to sound the same, I've rediscovered an artist's new approach to pass the time and distract my mind.

"Yes I know that love is like ghosts
Oh, few have seen it, but everybody talks

Spirits follow everywhere I go
Oh they sing all day and they haunt me in the night,
Oh they sing all day and they haunt me in the night.

Yes I know that love is like ghosts
Oh, and what ain't living can never really die,
You don't want me baby please don't lie,
Oh but if you're leaving, I gotta know why,
I said if you're leaving, I gotta know why,
Oh I sing all day and I love you through the night.

Yes I know that love is like ghosts
Oh and the moonlight, baby shows you what's real
There ain't a language for the things I feel,
And if I can't have you then no one ever will,
Oh, if I can't have you then no one ever will.

I don't feel it till it hurts sometimes
Oh go on baby, hurt me tonight.
I want ours to be an endless song,

Baby in my eyes you do no wrong.


I don't feel it till it hurts sometimes

So go on baby hurt me tonight
All the spirits that I know I saw
Do you see no ghost in me at all ?

Oh I sing all day and I love you through the night
Oh I sing all day and I love you through the night
Oh I sing all day and I love you through the night
Oh I sing all day and I love you through the night."

~Love Like Ghosts
Lord Huron, Strange Trails

Tuesday, January 1, 2013

1/1/13

Well.

I'm a little late on this one.

I wanted to sit down and write about my favorite albums of 2012, the music that came out, crossed my path and meant something to me for any combination of reasons.

I wanted to talk about how there were songs that reminded me how wonderful it is to be young and alive even though it's messy and mean, like Japandroids and The Menzingers. And how there were songs that blasted the cracks in my heart with deadly aim, and others that caulked in the gaps, like those from The Gaslight Anthem and Lovedrug.

I wanted to do this yesterday. But time got the best of me, and here we are, 2013 with no "Favorite Albums of 2012" on the blog. Let's proceed.

Normally people order and rank these things; I have done this in the past and found it to be useful, clean and a fun reference for discussion purposes should the topic ever arise. My rationale for placing an album on this list could come from many places: Did I hear it, and love it instantly? Was I drawn to replay it in full one more time, or are there tracks that I simply couldn't get enough of? And why? Was it the meaning, the message, the technique, or the timing?

I've also decided to highlight other albums that caught my ears for being very successful records in one way or another, because 2012 was a damn fine year for new music from artists both familiar and burgeoning. Here's a whole bunch of proof:

10) mewithoutyou - Ten Stories
Kicking off the list, an old favorite band out with a new, thematic collection that's eerie and haunting and potentially their most polished, meticulously produced effort yet.  Details pop out at every new listen, a harmony or a guitar part or an elusive, mysterious phrase. So enchanting, how could you not want to get lost in the night inside an otherwordly tale?

"All circles presuppose they'll end where they begin/But only in their leaving can they ever come back around"

Posts from the Year: 7/15/12

9) Passion Pit - Gossamer
Ya heard. Electropop made it on my favorites list. But I've never liked electropop this much before, I've never seen the weirdness and depth this way. Played it all the time, even got my mom hooked on it. I found this album uplifting and entirely thoughtful, bright and shiny but ever calm, ever cool and just enough collected. I hear the  live shows are slammin'. Also: Gossamer is, and has been, one of my favorite all-time words.Shimmers just like it should, a perfect title.

"When then I'll say what they say/And I'll do what they do/But it doesn't mean a goddamned thing"

8) Lord Huron - Lonesome Dreams
Oh how perfect and beautiful this album is, how folksy. Though it seems acoustic and auxiliary-heavy Americana bands are a stone's throw from every dive bar in mid-sized cities to the hottest clubs frequented by trendy, hipster-inclined urbanites, Lord Huron is, to my ears, the real deal. Kick back, relax and let their lonesome dreams interrupt and intersect with yours for awhile. And take a walk in the fucking woods while you're at it.

"I've been dreaming again of a lonesome road/Where I'm lost and I've got no friends/Just the rocks and the trees and my lonesome dreams and a road that'll never end"

Posts from the Year: 12/12/12

7) Bad Books - II
Perhaps I am inclined to rank anything involving the likes of Andy Hull and Kevin Devine, given my listening roots grew up in their respective heydays. And yet I have never appreciated them as much musically as I do today. Maybe it's in the maturity, the sardonic tone, or the willingness to try on styles and sounds exemplifying a mastery of creative convention. Bad Books colors in the lines, but this is by no means a dig on lack of originality. Rather, we've got layers and layers of complimenting and contrasting rock 'n' roll theory. More, please.

"Folded arms and I felt your heart hum/Speedy eyes and I want what I want/Truth cut with a generalized fear/Cash baggies and an ash tray beers/I know you know/I wanna love you but I can't let go/Honey, it never stops/No it never stops"

6) Alabama Shakes - Boys and Girls
How did you not just instantly love this band? Rootsy and bluesy and fusion-y and all kinds of familiar, Alabama Shakes debuted with a powerful hello to an indie pop audience that was ready to lap up something designed to comfort the soul. We've got real instruments, real vocal talent like we haven't heard in some time, real skilled players, and a whole lot of heart. Between the dynamics, the passion and the style, Alabama Shakes has serious rock chops, and I'd bet strong that we've only seen the start.

"I feel so homesick/Where's my home/Where I belong/Where I was born/I was told to go/Where the wind would blow/And it blows away"

(Bonus Link: Listen to this full KEXP performance!) Seriously. Do it. Your face might melt, though.

5) fun. - Some Nights
Yes, I know I've said The Format is better (and first!) but what a record this was. Everyone seemed to love it, everyone related to it. At the tail end of 2012, I found myself replaying this album over and over. Great for drives, for thinking alone. Nate Ruess is a genius at capturing the mischief in melancholy, the hope in the view from the ground, and I am grateful he continues to make wonderful music to share with the world.

"My head is on fire/But my legs are fine/After all they are mine"

Posts from the Year: 8/14/12

4) Lovedrug - Wild Blood
Redemption comes in many forms. Lovedrug's first full-length after a run of successful EP releases left me feeling full and happy, and intrigued by the new direction of a band. Focus, melody, depth and layers were always strong currents, but these qualities are the crux of Wild Blood's impressive, hungry and ever-onward spirit. Glad this record was made, because it marks something of an end of an era for me -- a triumphant effort from a band I've followed for years in a year that, for me, showed similar feats.

"We were owls when they came in the night/they were lookin' for a creature to fight/I can see it that you're ready to go/Like a bat in the cave of my soul"

Posts from the Year: 2/10/12, 3/6/12, 3/13/12,  4/15/12, 6/15/12

3) The Menzingers - On the Impossible Past
Sometimes, people kind of laugh a little when I tell them I'm a pop punk/hardcore/whatever the fuck you call emo these days fan. A bit of an eyeroll. But The Menzingers are amphetamine laced proof that the genre isn't dead and Epitaph is a fighting beast of a label(so shut your fucking trap). Heart-wrenching and boldly embracing pathetic helplessness and hopeless, this album is a collection of odes to self-fulfilled failures past and present. As I am a codified expert on such instances in my own life, it was entirely too easy to relate. Coated in familiar chords and fast-finger solos and just the right amount of scream, I listened to this at my worst only to end up feeling pretty damn close to my best.

"I will fuck this up/I fucking know it"

Posts from the Year: 8/22/12, 8/27/12

2) The Gaslight Anthem - Handwritten
What to say that I haven't said? Do I have a bigger music idol of 2012 than Brian Fallon?  Not really, maybe, probably not. "Handwritten" proves that TGA will continue to churn out confessional narratives with amphitheater-sized proportions. They've proven to be true to their own style, a dash of the past included, so the end product is good, old-fashioned, new rock and roll.  And this album could've been a make or break moment after so many past successes. No doubt it was a daunting task to say, "Oh shit, gotta write more great songs." And yet, I am more of a fan than ever.

"And we waited for sirens that never come/And we only write by the moon, every word handwritten/And to ease the loss of youth and how many years I've missed you/Pages plead forgiveness, every word handwritten"

Posts from the Year: 4/30/12, 7/16/12, 7/19/12, 7/31/12, 9/13/12, 10/9/12, 12/5/12

1) Japandroids - Celebration Rock
Japandroids just got it just right. They got the hunger right, the anger and fury, the passion, and the inescapable needs and conflicts of living fast. They've captured a certain brazen slyness that once thrived all over punk and rock scenes that's shrunken to give way to pretension, a forced literariness that can be so guarded. Not necessarily a bad thing, but not really a good one either, if you're looking for something to rock out to.

If you told me that 2012 would be the year that it turned out to be for me personally, I probably wouldn't have believed you. Or, maybe I would've of, but immediately passed out from fright, thereby changing said future through butterfly effect means. So, the present is fleeting, the past is permanent and the future, a wide scary unknown. In this lost haze, Japandroids brought a reminder that all you have is you and now, and fast is fun when your eyes are open.

Musically, omigod, so cool. Not only was I completely blown away by the sheer sonic power of such a tiny band (two skinny white dudes!), but you don't hear guitars played in this way, so full of repetitive fierceness, in ways that are simultaneously melodic. This has a lot to do with the chord choices, and phrasing of vocal, but we've got some real metal technique doing some indie rock things.

So thanks, Japandroids, for making me remember so much of what I love about loud and fierce rock music, and for laying it all out so honestly, that there's no way I will ever be able to hear these songs, and not connect to the moments, people and places of 2012. What more do you want out of an album of the year?

"It's a lifeless life with no fixed address to give/But you're not mine to die for anymore/So I must live"

Posts from the Year: 6/2/12, 6/18/12

Special Awards:
Best EPs: The 1975 - Sex EP, The 1975 - Facedown EP

Best Genre-Bending, The Cool Award: Frank Ocean - Channel Orange

Most Ambitious, Most Likely to Make Me Dance Contemporary Ballet, Most Poetic Album Title: Fiona Apple - The Idler Wheel is Wiser Than the Driver of the Screw and Whipping Cords will Serve You More Than Ropes Will Ever Do

Best "Comeback:"  Soundgarden - King Animal

Best Collaborative: GOOD Music - Cruel Summer

Best Taylor Swift: Taylor Swift - Red

Best Album for a Love Scene in Outer Space: The xx - Coexist

Best Metal (TIE): Converge - All We Love We Leave Behind, Every Time I Die - Ex-Lives

Wednesday, December 12, 2012

12/12/12

I swear, this album gives me super powers of concentration.  It's uplifting, in that connect-to-the-music-of-the-spheres kind of way, but rooted in indie folk and alt-country.



Lots of strumming guitars, lots of ghostly harmonies, something very peaceful and pensive about it that makes you want to be in a forever-green forest, nothing but dirt and bark and leaves and rivers to see and touch and smell. See the title track for evidence of this theme.

Songs show a penchant for long and windy song structures that make for wonderful ballads no matter the speed, but the kind with several verse phrasings before the real chorus, an ambling melodic structure perfect for driving, campfires, unwinding.  Funny, then, that I've found such solace in listening to it so close to so many screens.

This song, "She Lit a Fire," in particular has played on loop on my both my computers and in my head. It probably has the most single-appeal, potentially with the Fleet Foxes or Band of Horses fan bases.

While some could call out "Lonesome Dreams" for not showing the most variety, every track shows really rich, wonderful composition, in terms of layers. It's not an album that plays through a host of emotions or themes, but it totally doesn't need to, because there's so much going on inside the emotions and themes it's already introduced. There's loneliness, there's hopes, there's nostalgia and romance. There's flutes, claps and bells, there's harmonicas, xylophones, a million kinds of shakers, even bird calls. It's amazing, if it was all recorded live. If it was done through the magic of ProTools, well, it's still quite a landscape to realize and I would understand it. All depends on how much gets put into the live performance, I guess.

The standout track that sold me was "Lullaby," a song as classically sad and sweet as you'd ever want to hear that you don't much expect to anymore (even though you still should).

"I've been through the desert
And I've been across the sea
I've been walking through the mountains
I've wandered through the trees
For her

I have been trying to find her
Want to give what I got
She lit a fire
But now she's in my every thought


Where, could that girl have gone
Where, I've wandered far
Where, could that girl have gone
She left no trail but I cannot fail
I will find her

She lit a fire
But now she's in my every thought
She lit a fire
But now she's in my every thought

Where, could that girl have gone
Where, I've wandered far
Where, could that girl have gone
She left no trace but I know her face
I will find her

When last I saw her she was dancing all alone
Perhaps my chance was then, I'll never know
I'll search the world until there's no place left to go
And if she leaves it, I will follow
Yes I will follow


She lit a fire
But now she's in my every thought
She lit a fire
But now she's in my every thought

I've been through the desert
And I've been across the sea
I've been walking through the mountains
I've wandered through the trees
For her

I have been trying to find her
Want to give what I got
She lit a fire
But now she's in my every thought"

~She Lit a Fire
Lord Huron, Lonesome Dreams